Vita
Froilán Pompilio Urzagasti Montero (1995, La Paz, Bolivia) is a person who, among other things, makes films. His work explores some possible intersections between fiction and non-fiction, memory as a way of understanding the present, the places from which otherness is observed, the dualities countryside/city, tradition/technology, dreams/memories/reality. A cinema that is produced through the experience of the flesh.
Long-term studies
- 2013-16, Regular Course, Escuela de Cine y Artes Audiovisuales (Film and Audiovisual Arts School) - La Paz, Bolivia
- 2018-24, Films studies, specialisation in Film Direction, Deutsche Film- und Fernsehakademie Berlin (German Film and TV Academy Berlin) - Berlín, Germany
Short-term studies: Workshops, residencies and laboratories
- 2013, Advanced Scriptwriting Workshop, Festival Internacional de Video (International Video Festival) - Santa Cruz, Bolivia
- 2014, Documentary Film Workshop "Sin Fronteras", Escuela de Cine y Artes Audiovisuales (BOL) & Universidad Federal Fluminense (BRA) - Oruro & La Paz, Bolivia
- 2014, Santa Cruz 100x100 Project, Festival Internacional de Video (International Video Festival) - Santa Cruz, Bolivia
- 2017, Filmic apropiation Workshop, Festival de Cine Radical (Radical Film Festival) - La Paz, Bolivia
- 2018, Transfrontera Residency, Festival de cine transfrontera (Transfrontera Film Festival) - Tacna, Perú
- 2020, Laboratory for the Appropriation of the Bolivian Audiovisual Film Archive, Festival de Cine Radical (Radical Film Festival) - La Paz, Bolivia
- 2021, RECONNAISSANCE, Workshop for the creation of an anticolonial dataset, (MIGR-AI-TION) Prototype Fundation - Postdam, Germany
- 2021, Simposium: Arter the Archive, Arsenal Institut für Videokünst (Arsenal, Institut for Videoart) - Berlin, Germany
- 2021, Simposium: Found Futures, Arsenal Institut für Videokünst (Arsenal, Institut for Videoart) - Berlin, Germany
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2022, AUTOPOIESIS, Workshop for the creation of an anticolonial dataset, (MIGR-AI-TION) Floating University -
Berlin, Alemania
Filmography: short films
Fictive Realities
- 2020, Sueñan las memorias (Memories dream) - 7 min
- 2020, Viajes de Ida y Vuelta (Roundtrips) - 12 min
- 2021, cheisin treins - 7 min
Audiovisual Apropiation, Essay
- 2018, mirar/mirarse (to look/to look at) - 10 min
- 2018, Die stadt scheint klein durch die Bäume Hindurch (The city looks small though the trees) - 3 min
- 2020, 13.04.12 - 11 min
- Bolivia Salvaje Award - Festival de Cine Radical 2020 (La Paz, Bolivia)
Fictionalized Memories
- 2017, Collita - 17 min
- Best Short Film - Premio Plurinacional Eduardo Abaroa 2017 (La Paz, Bolivia)
- Best Editing - IX Festival de cine latinoamericano de Rosario (Rosario, Argentina)
- 2019, Aus der Ferne (From afar) - 10 min
- 2020, Humid Warm Days - 13 min
- 2021, Encounters - 25 min
Research and regeneration projects
Given Workshops / Moderated Talks
- 2021, Remembering is inventing the future - Bayreuth University (Bayreuth, Germany)
-
2022, Editing Workshop with Da Vinci Resolve -
INTERFLUGS, Berlin University of the Arts (Berlin, Germany)
Colaborations
- 2017, Sigo siendo el Rey, by Paolo Agazzi, TV series - Second AD
- 2019, Sirena, by Carlos piñeiro - Feature film - Editing assistant
- 2021, Invocations of rememberance, by Paola Bascón - Videoart instalation - Cinematography, editing, post producción
- 2021, SODA 301, by Bernardo de Almeida - Performance with videoart - Cinematography, post production
- 2022, En tu infinito, by Maque Pereira - Music video & short film - Editing, post production
- 2022, Cocodrile tears, by Bernardo de Almeida - Performance - Editing, videography on stage